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Special
Features:
- Theatrical trailer
- Interview with director
Story
Line:
Cecila is raped. She goes home and has sex with her
husband. She confesses to him that she had enjoyed the
rape and it had aroused her to have sex with him after a
long period of marital detachment. Hence, she embarks on
different sexual encounters...
Cecilia is a bored housewife whose sexual taunting of
the servants leads to her being raped by her chauffeur
drivers brothers. Cecilia was aroused instead of being
revolted during her sexual encounter with the rapists.
After the rape Cecilia and her husband start to slowly
drift apart as she loses herself in a series of sexual
encounters. After a brief period apart Cecilia finally
realizes that there is only one man she loves her
husband.
Cecilia is a film that was made after Jess Francos
return to Spain and in many it ignited his last great
collection of films before he lowered himself to the one
shot productions in the 1990s. Cecilia is a Eurociné
production thus actually making it more a French
production then a Spanish one. Anyone familiar with
Francos other Eurociné productions will see many
locations that looked vaguely familiar. Even with the
use of recycled locations that over production design
and look of the film is very high for a Franco film post
1970s. Visually Jess Franco gives a very bland and
simple story a classy and often dream like look to it.
Franco keeps things interesting without ever going
overboard into his gymnastic camera tricks.
Story wise there really is not much to Cecilia as the
whole plot is essentially a bored house wife getting in
on and then discovering that the one she wants the most
after all is her husband. The sex scenes which make up
the bulk of the film are not some of the more erotic
moments from Franco and yet even in their awkwardness
they still are just dirty enough around their rough
edges. The films score like so many of Francos films is
composed by the incomparable Daniel White. The most
effective/erotic moment in the film occurs very early on
when Cecilia is being raped by her chauffeur drivers
brothers.
The cast is minimal in Cecilia with a brief cameo from
Lina Romay while the bulk of the story focuses almost
entirely on Cecilia who is portrayed by actress Muriel
Montossé who has worked with Jess Franco in the past on
such films like The Inconfessable Orgies of Emmanuelle,
The Devil Hunter and Two Female Spies with Flowered
Panties. Muriel Montossé is one of sexier women to
appear in a Jess Franco film and she has a strong screen
presence in Cecilia. The pacing of the film is very good
and it would have been even better if the film was about
15 to 20 minutes shorter than its 105 minute running
time. Ultimately Cecilia ends up being an above average
Franco film despite starting off strong and a few
moments later in the film that are first rate Franco.
Blue Underground brings Jess Francos Cecilia to North
America for the first time ever uncut and on DVD.
Cecilia is the fifteenth Jess Franco film released by
Blue Underground and anyone who has sampled any of their
previous Franco releases know what to expect
audio/video/extras wise.
Besides a trailer for the film the only other extra
included for this release is a seventeen minute
interview with Jess Franco. Once again Franco recounts
every moment with great detail and clarity.
From top to bottom this is another spectacular release
from Blue Underground who gives Cecilia its best
audio/video presentation on home video to date,
recommended.
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