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รางวัล:
24 wins & 28 nominations.
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Asian First Film Festival 2005
Berlin International Film
Festival 2006
Cinemalaya Independent Film
Festival 2005
FAP Awards, Philippines 2006
Gawad Urian Awards 2011
Won
Dekada Award |
Best Film of the
Decade (Natatanging
Pelikula ng Dekada)
Auraeus Solito
2000-2009
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Gawad Urian Awards 2006
Golden Screen Awards,
Philippines 2006
ImagineNative Film + Media Arts
Festival 2005
Independent Spirit Awards 2007
Nominated
Independent Spirit
Award |
Best Foreign Film
Auraeus Solito
Philippines.
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Las Palmas Film Festival 2006
Montréal World Film Festival 2005
Online Film & Television
Association 2007
Nominated
OFTA Film Award |
Best Foreign
Language Film
The Philippines
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Rotterdam International Film
Festival 2006
Won
Netpac Award |
Auraeus Solito
For the human
portrayal of life on
the margin and the
touching performance
of Nathan Lopez who
... More
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Star Awards for Movies 2006
Won
Star Award |
New Movie Actor of
the Year
Nathan Lopez |
Digital Movie of the
Year |
Digital Movie
Director of the Year
Auraeus Solito |
Sundance Film Festival 2006
Tallinn Black Nights Film
Festival 2006
Tokyo FILMeX 2006
Torino International Gay &
Lesbian Film Festival 2006
Warsaw International Film
Festival 2006
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The Blossoming of Maximo Oliveros (Filipino:
Ang Pagdadalaga ni Maximo Oliveros) is a
2005 Filipino coming-of-age film about a gay
teen who is torn between his love for a
young cop and his loyalty to his family. The
film competed under 1st Cinemalaya Film
Festival in 2005. The film was the official
entry of the Philippines to the 79th Academy
Awards. It holds the distinction of being
one of the very few digital films released
in 2005 to do well at the tills. It also
made the rounds of international film
festivals.
Synopsis
Maxi (Nathan Lopez) is a 12-year-old
effeminate gay boy who lives in the slums
with his father and brothers who are petty
thieves. The story primarily revolves around
the conflict between his love for handsome
young police officer Victor (JR Valentin),
and his family''s illegal livelihood.
Neo-realist in orientation, the film is a
tale of lost innocence and redemption amidst
the poverty of Manila''s slums.
Maxi behaves like a girl, wearing clips or
hairband in his hair and bangles on his
wrists and even wearing lipstick. He is
teased by neighbors and former school
friends. His sexuality is, however, fully
accepted by his two brothers and by his
father. One night, he is accosted by two men
who attempt to molest him, but is saved by
the appearance of Victor. Victor does not
have a girlfriend and his sexuality is kept
ambiguous. However, he does rebuff Maxi''s
advances. In a key event, Maxi''s father, his
brother Bogs, and Bogs'' friends hatch a plan
to teach Victor a lesson. They leave him
bloodied and beat up. Just as Victor saved
him, it was Maxi who arrived to rescue
Victor and stopped the beating. He then went
on to clean Victor''s wounds and cook
breakfast for him. Maxi felt sorry and felt
somehow responsible for his demise. Victor
then affectionately stroked Maxi''s hair and
Maxi stole a kiss.
After Maxi''s father is killed by Victor''s
boss, Maxi resists Victor''s attempts to
renew their friendship. The closing scene
shows Maxi walking past Victor who has
parked by the roadside on Maxi''s way to
school. He ignores Victor as he passes him,
hesitates momentarily as he crosses the
road, then goes on his way. This last scene
is a homage to the final scene of "The Third
Man".
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หนังเกย์,เลสเบี้ยนและไบเซกช่วลเรื่องอื่นๆที่น่าสนใจ..ลองเข้าไปดูซิครับ
       
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